Ohio State University (LASER),
|
University of Washington, SEATTLE, WA last week of February...
|
CSUFullerton
FRENCH
CSUFullerton, French, March 19, 2013
|
BOOKS
|
PAST TEACHING
|
LAST GIG
|
The
Hurt Business: Oliver Mayer's EARLY WORKS
 |
MALAS/ENGLISH
& COMPLIT 2012 Seminar
ALT LINK
Spring '12 | ENG 625/MALAS 600C AM. PANOPT. |
San Ysidro |
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|
 Look!
Watch!
See!
New
Book...
New Blog...
New Site...
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ART EXHIBITS
|
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Editorial Work
|
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| BLOGS |
BLOGS
|
BLOGS
|
the textmex galleryblot |
the obscene machine |
eyegiene |
mextasy |
malas |
sdsupress |
|
|
|
 "The author of Tex[t]-Mex is also a border-born Tejano who is genuinely appalled at
what passes for Mexican in the U.S. media.
But he doesn´t get snitty about it, doesn't scold (too
much), keeps his theoretical feet on the decidedly non-theoretical
ground, and sees the humor in all of it. Which sets him apart from the
pomo crowd he runs with, and makes Tex[t]-Mex
a valuable, sometimes hilarious, maybe even loveable, but surely
learned, condemnation of stereotypes."
|
Spring
2009 Film/Lit Seminar
|
An edited
collection on contemporary Latina/o theatre:
An edited collection on John Steinbeck:
 |
|
|
|
You JUST missed my
Spring 2010 class:
ENGL
563: Drugs,
Sex,
& Rock'nRoll: Seductive Hallucinations of Film, Photography,
Art,
Music, and Literature
TUESDAYS
&
THURSDAYS
FROM
9:30am
TO 10:45am
Open
to all
majors! film,
art, theatre, music, and television majors encouraged to add this vice
to your spring menu of dynamic courses from SDSU! |
 |
Just completed,
Spring 2010: DYSTOPIA!
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|
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|
Cultural
Studies
| Queer Theory | TV
JOURNALISTS
WATCH SHERIFFS WATCH PEE-WEE WATCH | 2004 (pdf file).
|
Art Hist.
| Latin Am. /Chicana/o Studies
SEMI[ER]OTIC
GLANCES | FRIDA KAHLO GILBERT HERNANDEZ | 2003 (large pdf file) from in
Mary
Romero's
and Michelle Habell-Pallan's Latino/a
Popular
Culture
|
Ethnic
American
Theory | Film Theory
RITA
HAYWORTH,
DERRIDA, BORGES and EXISTENTIAL ELECTROLYSIS | 2003 (pdf
file) in
Art Aldama's remarkable collection, Violence
and
the
Body: Race, Gender, and the State
 RECENTLY
REVIEWED!!!
pdf
version |
 |
 |
 |
|
|
|
| chicana/o
studies scholarship |
border studies
scholarship |
graphic
narrative/semiotic
scholarship |
ORSON
WELLES AS A PROTO-CHICANO
CIRCA 1994 in
Chon Noriega's
colllection
Chicanos
and
Film:
Representation and Resistance
|
RE-MEMBERING
LAREDO: TRUTH AT THE BORDER CIRCA 1995
|
ARTIF{R}ACTURE
|
COMIX
|
NARRATIVE
CIRCA 1995 |
|
|
|
| ESSAYS |
ESSAYS |
ESSAYS |
Hollywood |
Ethnic Theory | Cultural
Studies
SPEEDY GONZALES
| AUTOPSY OF A RAT : Latino Marionettes in US Mass
Culture | CAMERA
OBSCURA pdf | 1998
|
Critical Theory
| Semiotics | Latin
America
CARLOS
FUENTES
/ SKIP GATES / SYLVERE LOTRINGER / STUART EWEN
| CIRCA 1990
| Review Article |
American Lit |
Latin American Lit
BORGES &
BORGES / DAITCH / DERRIDA-- MIRRORING FICTIONS
| CIRCA 1993
| pdf
2.1mb
file |
|
|
|
 PAST LECTURES
|
LECTURES
|
LECTURES |
MEXTASY! Boulder, Colorado, February 23, 2012 |
|
|
October 14, 2011
more info here:
"21st
Century California Writers Now: Pre- and Post-Apocalyptic Nightmares,
Vociferations, and Raptures"
|
October 20, 2011
University of Guelph
"Bandit,
Succubus, Gigolo, Maid, & Fiend: 20th and 21st Century Latina/o
Bodies in the Imagination of the Americas"
|
October 21, 2011
University of Western Ontario
"Technosexual
Scholars at the Peephole: Surveillance, Voyeurism and the Latina/o
Destiny of the Digital Humantites"
|
September
22, 2011
 |
September
22, 2011
 |
September
23, 2011
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|
|
|
MEXTASY!
Just left the Wolverine-laced hallways of the Program in American
Culture at
the University of Michigan, Ann Arbor and then hopped over to
an opening
at the University of Hawai'i at Manoa, April 8, 2011... next up? CSU
Fullerton!
 |
 A
New
April 2011 Conference Keynote in Hawaii!
 |
|
theFRONT, May 20, 2010
|
Cal State Fullerton, April 13, 2009 |
Oh beloved, Texas
Longhorns of Austin, forgive me, but I invaded Ohio State
University on February 23, 2009 for a reading/signing with my UT Press
stable-mate, Guisela Latorre! More info here.
Ohio State University, February 23. 2009 |
|
|
|
2011
|
April 28, 2008
 CalState Northridge
DIVA CONFERENCE!
 More
INFO!
|
May 5, 2008 CINCO DE MAYO
 
 MESA
COLLEGE
BEYOND
BAROQUE
with TOMÁS
RILEY!!!
More
info!
|
past |
speaking |
gigs |
UNIVERSITY OF ARIZONA
*click*
the logo for a big image of the event!
April
16,
2008!
 |
 Skylight Books in Los Feliz en Los Angeles, Califas!
Reading and signing
November 7, 2007
Wednesday-- 7:30pm
more
info
on
the
reading!
|
USC, Los Angeles, CA, reading and signing
November 8, 2007, Thursday.
|
Sponsored
by
the
International
Bank of Commerce and hosted by Gonzalez, Gonzalez,
Castillo, y Garza, Inc.
|
|
UTSA
| Department of
English
Reading, lecture and signing
| Monday, November 5, 2007, San
Antonio,
Texas
 Click here for the
promo poster! |
| Public Lecture |
Public Lecture |
Public Lecture |
CSUN
TABOO CONFERENCE
KEYNOTE
APRIL 28, 2007
 |
USD
ENGLISH &
ETHNIC STUDIES
MAY 1, 2007
 |
BORDERS
BOOKSTORE
MISSION VALLEY
SIGNING
MAY 17, 2007
 |
| Public Lecture |
Public Lecture |
Public Lecture |
THE
VOYEUR'S
BAD
EYEGIENE:
LATINA/O NATIONALITIES AND THE PATHOLOGY OF THE PROSTHESIS
NATIONALITY
| CITIZENSHIP | IMMIGRATION
AN AMERICAN STUDIES LECTURE SERIES
PURDUE
UNIVERSITY
Friday February 16, 2007 |
WE
DON'T NEED NO
STINKIN' BADGES: SCREENING LATINIDAD
FILM SERIES
OBERLIN COLLEGE
March 15, 2007
|
DG
Wills
Bookstore
La
Jolla,
CA
Saturday March 24, 2007
 |
|
|
|
| BLOGS |
|
ART |
obscene
machine
blog
 |
ethnic mannequin
tex[t]-mex
blog
 |
|
|
|
|
WEBMASTER
WORK
{some of these are presently offline} |
WEBMASTER
WORK |
MORE
ONLINE ESSAYS/REVIEWS |
London
|
Summer
|
2009
London
|
Summer
| 2007
San
Diego State University Press
pacific
REVIEW
SDSU
Press
Gear
SDSU
LONDON
CALLING
Oliver
Mayer's
Joe
Louis
Blues
Memogr@phics
Designcasa
CODICES
CLAS
Arts
Conference
Fall
2001
SDSULondon
CAFE
LITERATI
Literati
boutique
SDSU
English
&
CompLit
Alumni Page
1st
John Kennedy Toole Lecture
The
DECODER
Club
/
e220
LIt
BRUSH
WITH
CELEBRITY
page
Colga
SDSU
Dept.
of
Chicana/o
Studies archived
HYPERBOLE
Books (with Michael Buchmiller, senior memogr@phics
designhaus
agent)
...a
brief
critical
elegy--Jean
Baudrillard,
RIP
|
A screengrab from Orson
Welles's Touch
of Evil with
Charlton
Heston as "Mexican" narcotics agent Miguel 'Mike' Vargas--tap Heston in
order to be transported to Google's facsimile of a chapter on Welles's
masterpiece.
English 220
| The Seductive Mirror Seminar: An Introducion to Literature | Summer
1999 huge pdf
DIGITAL ART
Camera
Obscura
Cover
Gallery
SDSU
Press
Book
& Catalogue Cover Gallery
|
Watch
Pee-wee
Watch | IJCS 2004
"Artif[r]acture:
Virulent
Pictures,
Graphic
Narrative, and the Ideology of the Visual"
Mosaic
(1996)
[Sadistic]
California
Dreaming:
Pleasure
in the Breaking of Mexican Bodies 2003
Robert
Frank, the Beats, Literature and Film 2001
Almost
Like Laredo: A Semiotic Travelogue of "The Gateway to Mexico" 1987-2002
RE-membering
Laredo: ¿What is Truth at the Border? 1995
Sick
Culture: Reading Across the Disciplines With Carlos Fuentes, Henry
Louis
Gates Jr., Sylvère Lotringer and Stuart EwenSpring
50 1990
Autopsy
of
a
Rat:
Latina/o Marionettes in US Mass Cutlrure
BOOK REVIEWS
Stuart
Gordon CHICANO-CROSSDRESSES Ray Bradbury--a
review
of
The
Wonderful Ice Cream Suit, 2003
A
sassy
Richard
Rodriguez
DAYS OF OBLIGATION Review
A
gritty
Charles
Bukowski
PULP review
A
perhaps
too-scathing
and
cheeky Rodolfo Anaya JALAMANTA review
REVIEW--Denise
Chavez's
FACE
OF
AN ANGEL
REVIEW--Rolando
Hinojosa's
THE
USELESS
SERVANTS
|
| |
|
|
archived
aka, Past Classes @ SDSU
|
course
|
syllabi
|
Fall 2011
Graduate Seminar
Fall 2011 | MALAS 600B TECHNOSEXUALITIES |
Fall 2011
Undergrad Class
Fall 2011 | ENGL 220 EYEGIENE |
Spring
2011 Seminar
English
220 Robotic, Erotic, Electric |
|
|
Spring
2009
|
Engl 493
|
 Spring
2008
| C LT 210 |
naked surrealisms
English 301 | Fall 2007
|
naked london eyes
summer 2009, UK |
English
725
| Seminar
in
Ethnic American Film and Literature: Ethnic Mannequins or the Obcene
Machine | Spring 2007 |
|
|
|
Summer 2007
London Calling | Anth 439 |
English
220
Fall 2006
The Seductive Hallucination |
FILM NOIR TO PULP FICTION
ENGL 301 Summer 2006
|
comparative
literature
594
literature
and
the arts
spring
2006 |
english
301
psychological
novel
spring
2006 |
|
ENGL 700
CHASING
DERRIDA SEMINAR
LIGHTS
CAMERA WRITING
Fall 2005
|
COMPLIT
270B
NAKED,
LOUD & BROKEN
COMEDY
SINCE 1500
Fall 2005
|
English
560a
Early
British Literature
Peculiar
and Exotic
circa
2000 |
e301
| SEXY BEASTS
FREUD'S
BASTARD CHILDREN
SPRING
2005 |
COMPLIT
210
LITERATURE
AFTER DERRIDA
SPRING
2005 |
ANTHROPOLOGY
493
LONDON
EYES
UK FILM
CULTURES |
MULTICULTURAL
LIT SEMINAR
ENGLISH
601, SDSU
circa 1992
|
MALAS
600: Textual Bodies / Sexual Bodies
GENDER
THEORY
CIRCA
1993 |
E577
MARX /
FREUD / DICKENS
19TH CENT.
TRIALOGUES
SPRING
2000 |
e220
Intro to
LIT
SINEMATIC
BODIES
Fall 2004
|
complit
594
LIBIDINAL
PROGENY
DERRIDA,
MAGE/WORD
SP 2003
|
E606A
Grad Seminar
| Special Topics
THE CHICANA/O
NOVEL
CIRCA 1999
|
e301
Tattooed
Psyche
Psychological
Novel
summer
2004 |
BODIES
OF INK
CUERPOS
DE LUZ
COMPLIT
270 B
CIRCA
1993 /SPRING |
English
220
PICTUREBOOK
An
Introduction to Literature
circa
1998 |
COMPARATIVE
LITERATURE 270B
DECONSTRUCTED
BODIES
World Literature
CIRCA 1996
|
English
519
American
Ethnic Literature:
The
Seductive Mannequins
CIRCA
1996 |
English
220
PSYCHOLOGICAL
NOVEL
The
Naked Eye/
FALL 2003
|
Comp
Lit 595 Glamour
Literature
and Aesthetics
FALL 2003
|
E301
TATTOOED
SOULS
SUMMER
2001 |
E301
SINEMA:EROTIC & EXOTIC
PSYCHES
IN LITERATURE & FILM
FALL
2002 |
e602
CRITICAL
THEORY
PRIMARY
SECONDARY TERTIARY
FALL 2000
|
english
790 ENGLISH MA EXAM PREP
G.
PITT AND VIRGINIA WARNER
LECTURE
SERIES
SPRING
2003 |
COMPLIT
445
MODERN
LATIN AM LIT & FILM
PORTRAITS
MASKS & SIGNATURES
FALL
2002 |
e220
LIGHTS
BODY INK
Intro to
LIT
SPRING
2002 |
COMP LIT
580
LATINA
WRITERS
WINTER
2000
caution,
large jpg file |
E301
Psychological
Novel
Caged Eye
| webmaster A. Barkdoll
1st Web
Class 1995! 16 years on the WWW |
E301
NAKED EYE:
MADNESS / ART
FALL 1997
|
ENGLISH
700: BORGES AND DERRIDA
OBSESSIVE
COMPULSIVES IN THE LIBRARY
CIRCA
1998 |
E525
AMERICAN
BABEL
SPRING
2000 |
CompLIT
210
Intro
to Comparative
Literature:
Gender Image Power Text
Fall
2002 |
COMPLIT
210
INTRO TO
COMP LIT
Text/
Sex/ Cult/ Psych Playgrounds
FALL 2000
|
e301
MARX ON
THE COUCH
FREUD AT
THE BANK
SUMMER
2002 |
COMPLIT
561
FICTION
SPRING
2001
|
COMPLIT
595
LITERATURE
& AESTHETICS
Sighting
Words
SPRING
2002 |
COMPLIT
490
DYSTOPIAS/
UTOPIAS
SPRING
1999 |
ENGLISH
494
MODERN
AMERICAN FICTION
MILLENNIUM
VIRUS
CIRCA
1999 |
ENGLISH
220
INTRO
TO LITERATURE
THE
FRAMED EYE/I
CIRCA
2000 |
ENGLISH
525
AMERICAN
LIT 1950-NOW
EROTIC
NEUROTIC SEMIOTIC
SPRING
2001 |
English
493
Literature
and
Film
The
Obscene Machine |
|
|
| assorted lit
doings |
assorted lit
doings |
assorted lit
doings |
CODICES SEMINAR
DERRIDA/BENNINGTON
CIRCA 1996
|
GGM
SEMINAR
Spring SEMESTER
CIRCA 1997
|
BORGES |
DERRIDA SEMINAR
SDSU ENGLISH
CIRCA 1998
|
|
|
|
More
from the
BRUSH WITH FAME archive!!!
|
|
|
| heroes
| mentors |
heroes
| mentors |
heroes
| mentors |
 |
 |
 |
| I thought
I was trying to evolve an argument that would in some way just knock
issues
of veracity out of the water, that would make them almost laughable.
But
I ended up realizing that what I was trying to do was to find a mode of
writing sexual fantasy, really, and exploring the way we project [it]
onto
the materials that we are supposedly studying-- not as something that
might
actually be happening within them (you know: the question of who
fancies
whom and of whether they repressed or acted on it and with what
consequences),
but rather as a way of conceptualizing the material and linking
yourself
to it....¶"Without," for me, is that funny state where you
think
you're
doing one thing, then realize that you're doing something completely
different,
which always builds on the familiar quagmire of "knowledge."
Irit Rogoff
interview
|
The
future
is part of desire, and desire is extremely important. I think it's very
important in my novels and it has to do with want, it has to do with
yearning,
and with the way we strive towards what we merely call the obscure
object
of desire. This is, of course, never an innocent operation because it
implies
not only having what we want, but changing it according to our
conception
of it, changing the other person. The other person might very well
resist
not only our desire but our wanting to take over and change. And
therefore,
conflict, and therefore, narrative, novels, drama, and many other
things.
But I cannot understand the future without the category of desire and
all
that desire implies.
Carlos
Fuentes
1988
|
I just
can't
help writing by hand. One types by hand also. It is not that the hand
disappears,
but if I start typing, or working on the screen, I am dinosaur.
I
find that it disappears from me. I have a secretary but she certainly
does
not type the stuff I write. I am from the manual typewriter era. The
extraordinary
editing capacities of the computer also touch me. That second typing on
the screen is a creative moment. It is just not the first moment. Is
writing
the first moment we do not know. I consume the affect of writing by
hand.
Another reason is that I do a lot of work in areas where there no
electricity
at all.
Gayatri
Chakravorty
Spivak
1997
|
| more
heroes |
more
heroes |
more
heroes |
 |
 |
 |
| The
madness
in
which
the
work of art is engulfed is the space of our work, it is
the
endless path to fulfillment, it is our mixed vocation of apostle and
exegete.
Michel Foucault
Histoire
de la Folie
1961
|
I
feel
sorry
for
you
people
who don't drink, 'cause when you wake up in the morning that's as good
as you're going to feel all day.
Dean
Martin,
Rat Pack
Benefit Concert
1964
|
What's
the most widely held misconception about you and your work?
That I'm a
skeptical nihilist who doesn't believe in anything, who thinks nothing
has meaning, and text has no meaning. That's stupid and utterly wrong,
and only people who haven't read me say this. It's a misreading of my
work
that began 35 years ago, and it's difficult to destroy. I never said
everything
is linguistic and we're enclosed in language. In fact, I say the
opposite,
and the deconstruction of logocentrism was conceived to dismantle
precisely
this philosophy for which everything is language. Anyone who reads my
work
with attention understands that I insist on affirmation and faith, and
that I'm full of respect for the texts I read.
jacques derrrida
INTERVIEW
with LAWeekly
|
| still more
heroes |
still more
heroes |
still more
heroes |
elvis
costello |
remedios
varo |
will elder |
| ink ART |
editorial
duties |
revelation |
dawg
india ink
Guillermo
Nericcio García (2001)
clicking on
"dawg" links you to "afta's art," india ink, notebook, cornell
university,
1985 |
 |
the sound
and the fury,
william
faulkner |
| online digital
art |
online
digital art |
online
digital art |
the typed
subject
digital
art/mixed
digital media
guillermo
nericcio garcía (1998) |
"The
Mexicanesque
Maus"
digital
art/mixed
digital media
guillermo
nericcio garcía (1996) |
the
existential
guillotine
digitial
art/mixed
digital media
guillermo
nericcio garcía (2002) |
| office door |
the factory |
bio
y chisme |
 |
 |
direct link |
|
|
|
derrida
|
moving
words & images
 |
 |
|
or the guy in green, opposite) and
you will be instantly transported to a sprawling survey of a 
well-traveled, unpredictable, prolix, loud, distracted, and amiable
Mexican-American professor's academic
odyssey—but beware! The
site
teems with photos, ephemera,
sordid
chisme, and much, much more of the headache inducing eye-candy you
already see here.
![tex[t]-mex, by william nericcio](19coverPROOFtextmex.jpg)
ALA Choice, Significant
Titles 2007 Award
photos
| permissions
granted
for
re-use
with attribution noted below
![link to the tex[t]-mex galleryblog @ textmex.blogspot.com](P1020893.jpg)
