William Anthony Nericcio
(alt
bio)Director, MALAS, The Master of Arts in Liberal Arts & Sciences Professor, English & Comparative Literature, Latin American Studies, and Chicana/o Studies San Diego State University Director, San Diego State University Press Lead Faculty, Digital Humanities Initiative Guru & Ringleader, Mextasy Lead Faculty, Comics at SDSU Arts and Letters 273 | 5500 Campanile Drive San Diego, California 92182.6020 619.594.1524 (phone) | 619.594.4998 (fax) memo@sdsu.edu | bnericci@mail.sdsu.edu | nericcio@cornell.edu @eyegiene #textmex #mextasy ![]() Prowl Social Media for Updates |
|||||||||||||||||||||||||
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Various and sundry social media pathways where you can trace my web meanderings. |
|||||||||||||||||||||||||
Quick links
for visitors for whom scrolling is a royal pain!![]() Hop to my books! Jump to my upcoming public events! ![]() Leap to my listings of past public lectures! Fly to a selection of published essays! alternate --> don't pay, just scroll and close the annoying pop-ups! --> academia.edu Spring to my blog & tumblr sites! Bounce to my upcoming classes! ![]() Soar to my portfolio of past classes Trot to my I-swear-I-did-not-write-it Wikipedia page! |
|||||||||||||||||||||||||
Education![]() ![]() MA/PhD, Comparative Literature Cornell University '89 ![]() BA, English Honors The University of Texas, '84 |
|||||||||||||||||||||||||
Keep
in Touch via my Substack!![]() |
|||||||||||||||||||||||||
My instagram page? Go here: ![]() See my C-Span/Book TV Interview ![]() My facebook nest? go here: {updated more often than this page!} ![]() ![]() My twitter site? Go to @eyegiene ![]() Mextasy TV series Now on Hiatus! ![]() ![]() Upcoming Public Lectures/ Exhibitions / Performances ![]() University Teaching Fall 2027 #roboticeroticelectric27 ![]() SDSU Marketing & Communications short feature starring yours truly in a bizarre red chair! Upcoming book news | eyegiene ![]() Other Assorted Internet-based Doings The Tex[t]-Mex Galleryblog--a Tex[t]-Mex book supplement;direct UTPress book link, here; various and sundry reviews and clippings here. ![]() Academic Postings
|
|||||||||||||||||||||||||
|
Hit this hyperlink (or the eyeball to the right or the guy in green,
opposite) and you will be instantly transported to a
sprawling survey of a well-traveled, unpredictable, prolix, loud, distracted, and
amiable Mexican-American professor's academic
odyssey—but beware! The site teems with photos,
ephemera, sordid chisme, and much, much more of the
headache inducing eye-candy you already see here. |
|||||||||||||||||||||||||
| PUBLISHED BOOKS |
|||||||||||||||||||||||||
| Snapshots:
Teaching Los Bros Hernandez William Nericcio & Frederick Luis Aldama, editors (2025) click to enlarge ![]() |
|||||||||||||||||||||||||
Cultural
Studies in the Digital Age
An Anthology of Interdisciplinary Inquiries, Postulations, and Findings Edited by William Nericcio, Frederic Aldama, and Antonio Rafele (2021) Advance word on CULTURAL STUDIES IN THE DIGITAL
AGE: "Cultural Studies in the Digital Age
is a remarkable collection that defines the
cutting edge of Cultural Studies. With essays that
range from photography to emotion, from digitality
to architecture, it should be required reading for
all students of culture…Cultural Studies in the
Digital Age contains great work, and it suggests
great work lies ahead." Pick up a copy
here or here: hype.sdsu.edu
OR https://amzn.to/4kz96jQ |
|||||||||||||||||||||||||
| Talking #browntv Latinas and Latinos on the Screen co-authored with Frederick Luis Aldama (2019) ![]() |
|||||||||||||||||||||||||
| TEX[T]-MEX:
SEDUCTIVE HALLUCINATIONS OF THE "MEXICAN" IN AMERICA More info via Amazon, or (cheaper!) via the eyegiene/mextasy online shoppe! ![]() {Click the image above to see the cover in detail) REVIEW OF TEXTMEX: "The author of Tex[t]-Mex is also a
border-born Tejano
who is genuinely appalled at what passes for Mexican
in the U.S. media. But he doesn´t
get snitty about it, doesn't scold (too much), keeps
his theoretical feet on the decidedly
non-theoretical ground, and sees the humor in all of
it. Which sets him apart from the pomo crowd he runs
with, and makes Tex[t]-Mex a valuable,
sometimes hilarious, maybe even loveable, but surely
learned, condemnation of stereotypes."-- Kelly Arthur Garrett
|
|||||||||||||||||||||||||
THE
HURT BUSINESS: OLIVER MAYER'S EARLY WORKS PLUS [+]![]() {Click the image above to see the cover in detail or click here to buy on sale via amazon.com} |
|||||||||||||||||||||||||
HOMER
FROM SALINAS: JOHN STEINBECK'S ENDURING VOICE FOR
CALIFORNIA![]() {Click the image above to see the cover in detail or click here to buy on sale via amazon.com} |
|||||||||||||||||||||||||
| NEW BOOK--COMING SOON! EYEGIENE ![]() |
|||||||||||||||||||||||||
ART EXHIBITS![]() ![]() |
|||||||||||||||||||||||||
|
Editorial Work |
|||||||||||||||||||||||||
BLOGS![]() ![]() ![]() the textmext blog ![]() the obscene machine ![]() eyegiene ![]() mextasy ![]() malas ![]() sdsupress |
|||||||||||||||||||||||||
ASSORTED PUBLICATIONS NEW--a veritable treasure
trove of past published essays is available at my
Academia.edu based web-world!![]() ![]() A piece on Alex Rivera's SLEEP
DEALER--The Border, Our Future, Dystopia! ... |
|||||||||||||||||||||||||
![]() An Essay on Lupe Velez, "Mexican Spitfire"... |
|||||||||||||||||||||||||
![]() Cultural Studies | Queer Theory | TV JOURNALISTS WATCH SHERIFFS WATCH PEE-WEE WATCH | 2004 (pdf file). |
|||||||||||||||||||||||||
![]() ![]() Art Hist. | Latin Am. /Chicana/o Studies SEMI[ER]OTIC GLANCES | FRIDA KAHLO GILBERT HERNANDEZ | 2003 (large pdf file) from in Mary Romero's and Michelle Habell-Pallan's Latino/a Popular Culture |
|||||||||||||||||||||||||
![]() ![]() Ethnic American Theory | Film Theory RITA HAYWORTH, DERRIDA, BORGES and EXISTENTIAL ELECTROLYSIS | 2003 (pdf file) in Art Aldama's remarkable collection, Violence and the Body: Race, Gender, and the State RECENTLY REVIEWED!!! pdf version |
|||||||||||||||||||||||||
ORSON WELLES AS A PROTO-CHICANO CIRCA 1994 in Chon Noriega's colllection Chicanos and Film: Representation and Resistance |
|||||||||||||||||||||||||
RE-MEMBERING LAREDO: TRUTH AT THE BORDER CIRCA 1995 |
|||||||||||||||||||||||||
ARTIF{R}ACTURE | COMIX | NARRATIVE CIRCA 1995 |
|||||||||||||||||||||||||
![]() Hollywood | Ethnic Theory | Cultural Studies SPEEDY GONZALES | AUTOPSY OF A RAT : Latino Marionettes in US Mass Culture | CAMERA OBSCURA pdf | 1998 |
|||||||||||||||||||||||||
![]() Critical Theory | Semiotics | Latin America CARLOS FUENTES / SKIP GATES / SYLVERE LOTRINGER / STUART EWEN | CIRCA 1990 | Review Article |
|||||||||||||||||||||||||
![]() American Lit | Latin American Lit BORGES & BORGES / DAITCH / DERRIDA-- MIRRORING FICTIONS | CIRCA 1993 | pdf 2.1mb file |
|||||||||||||||||||||||||
PAST PUBLIC EVENTS, EXHIBITIONS, & LECTURES |
|||||||||||||||||||||||||
UC RIVERSIDE Lecture,
June 2025![]() University of Denver, February 2025 ![]() #roboticeroticelectric Italy lectures in Rome @ Sapienza, and in Milan @ IULM ![]() Crear Studio, Santa Ana, Califas, February 2024! ![]() Bipoc POP Conference, UT AUSTIN ![]() SMU Mextasy Gig! March 6, 2024 ![]() |
|||||||||||||||||||||||||
| Porter
Elementary Visit to SDSU -- May 31, 2023 ![]() |
|||||||||||||||||||||||||
| May
5, 2023 Cinco de Mayo at RICE UNIVERSITY ![]() ![]() |
|||||||||||||||||||||||||
HOUSTON! May 4, 2023!!![]() |
|||||||||||||||||||||||||
| Covid
Era Zoom-based Charla! Strean it here: https://archive.org/details/fedememo_rideagain_9_april_2021_browntv ![]() |
|||||||||||||||||||||||||
| #Mextasy @ Seattle University and
the Nepantla Cultural Arts Gallery! November 2019 ![]() More information on the Seattle University DISPATCHES FROM THE BORDER event. ![]() More information of the Mextasy Exhibition at the Nepantla Cultural Arts Center ![]() September 28, 2019 ![]() IOWA STATE UNIVERSITY #MEXTASY The pop-up exhibition Sept 10 to October 30, 2019 at the Multicultural Center, Memorial Union, Iowa State University and I will be there live and ranting Saturday September 28, 2019 ![]() |
|||||||||||||||||||||||||
April 12, 2019![]() @ Northwestern University
|
|||||||||||||||||||||||||
Mextasy at Wabash College, April 11, 2019 (details) ![]() |
|||||||||||||||||||||||||
Mextasy Pop-Up Exhibition,
California State University San Bernardino,
November 2018!![]() |
|||||||||||||||||||||||||
Lecture at Sapienza –
Università di Roma/The Sapienza University
of Rome on Tex[t]-Mex,
Eyegiene,
& Technosexualities
& the Digital Humanities / Robotic
Erotic Electric, April 2018![]() |
|||||||||||||||||||||||||
| March
2018--Franklin & Marshall College #Mextasy Pop-Up Exhibition & Lecture! ![]() |
|||||||||||||||||||||||||
| Salisbury University,
October 26, 2017 See the results here and here! ![]() |
|||||||||||||||||||||||||
| Mextasy,
the "circus of semiotic
desmadres" is up at Love Library, SDSU through August 1, 2017--FREE/GRATIS. Follow its exploits via #sdsumextasy on instagram and twitter. ![]() |
|||||||||||||||||||||||||
Keynote Lecture at IASA 8th World
Conference at TAMIU,Texas A&M
International University, in Laredo, Texas,
July 19-21 2017![]() |
|||||||||||||||||||||||||
![]() #Mextasy at the University of Kansas, Lawrence, Kansas!!! Lecture/Pop-Up Exhibition! Thursday, April 28, 2016 |
|||||||||||||||||||||||||
| MEXTASY @ BINACOM The Binational Association of Schools of Communication (BINACOM) will be hosting an Encuentro at San Diego State University on April 22-24, 2016--A pop-up Mextasy exhibition will be part of the fun! SDSU Main Campus COMM Building! #binacom16 ![]() |
|||||||||||||||||||||||||
| From
Tex[t]-Mex to Mextasy 21st Century Mexicans, Mexican-Americans, and Latinas/os in the Age of the Smartphone and the Digital Humanities Wednesday, April 13, 2016 at 12:00pm Latina/o Studies Conference Room 429 Rockefeller Hall Cornell University, Ithaca, New York ![]() |
|||||||||||||||||||||||||
![]() Ateliers de recherche: Images of Fashion & Death in American TV The first lecture on April 5, 2016 reviewed my upcoming new book with the University of Texas Press, Eyegiene: The Televisual Age of Sex and Race. The second lecture on April 6 is entitled "Memoirs 'With' the Blind: What Jacques Derrida and Jorge Luis Borges Whispered into the Ears of Jon Hamm and Bryan Cranston on the Sets of Mad Menand Breaking Bad." At EHESS (SIÈGE), 190-198 AVENUE DE FRANCE 75244 PARIS |
|||||||||||||||||||||||||
![]() Toxic "Mexican" Digital Mannequins, Viral HisPANIC Stereotypes, and Contagious, Smartphone-borne Hate Existential Conundrums for Latinas/os on the Brink of 21st Century Mextasy in the Age of the Digital Humanities Crossroad Talks: Culture, Identity, Language and Literature in Active Contact Zones, February 25-27, 2016 Arizona Historical Society Museum, Tucson; University of Arizona, Tucson, Arizona |
|||||||||||||||||||||||||
![]() ![]() Cyborg Chicanos, Virtual Latinas, Smartphones, and Digital Culturas Viral, Electric Mutations of Latina/o Stereotypes in the Age of the Internet The University of Pennsylvania Monday, February 22, 2016 |
|||||||||||||||||||||||||
![]() Gilbert Hernandez's Erotic Works: Errata Stigmata, Blood of Palomar (Human Disastrophism), and Birdland Saturday, Feb 13, 2016 5:00PM Sexuality in Comics (no kids) Crescent Room, San Diego ComicFest |
|||||||||||||||||||||||||
![]() From Ira Levin’s Stepford Wives to Nancy Oliver and Craig Gillespie’s Lars and the Real Girl to Spike Jonze’s Her A Brief Illustrated History of Affective Disorders Exacerbated by Object/Technology Fetishism, or “How I Learned to Love my Phone” Friday, February 19, 2016 - 7:30pm to 9:30pm 7:00 PM - Registration/Wine & Cheese San Diego Psychoanalytic Center (SDPC) 4455 Morena Boulevard, Suite 202 San Diego, CA 92117 |
|||||||||||||||||||||||||
![]() Mextasy and Bordertown Screenings! Lalo Alcaraz, Gustavo Arellano, William Nericcio, Miguel-Angel Soria, and Carlos Solorio, LIVE @ theFRONT, San Ysidro, Califas, November 13, 2015 @ 7pm |
|||||||||||||||||||||||||
![]() Walter Benjamin, Marshall McLuhan, Antonio Rafele, and the Future Narratology in the Age of Digital Replication Wednesday, October 7, 2015 @ 9am SDSU Main Campus |
|||||||||||||||||||||||||
![]() "Revolution, Transformation, Metamorphosis, Originality, Innovations, and Deconstruction New Adventures in Pedagogy for the 21st Century" Thursday, October 8, 2015 2pm @ The SDSU Main Campus |
|||||||||||||||||||||||||
![]() Wednesday, October 21, 2015 @ 4pm SDSU MAIN CAMPUS, Adams Humanities 4131 "Orson Welles and Jacques Derrida at La Frontera: A Touch of Evil Deconstruction" |
|||||||||||||||||||||||||
![]() Mextasy @ Southwestern College Art Gallery, Wednesday, October 14, 2015 more info to come soon! #mextasy |
|||||||||||||||||||||||||
![]() Celebrity Sonnets at the Old Globe Theatre, Balboa Park with the San Diego Shakespeare Society 7:30pm, Monday, October 12, 2015--> details here. |
|||||||||||||||||||||||||
![]() Americas Society/Council of the Americas Review 90: Latin America and the Technological Imaginary in the Digital Age May 14, 2015, NYC, 7pm |
|||||||||||||||||||||||||
| Filmatics Festival MEXTASY
Premiere! @ UCSD | May 3, 2015
|
|||||||||||||||||||||||||
![]() Cinco de Mextasy, Cinco de Mayo Desmadres Exhibition (Pop-up Museum, Lecture, Booksigning) @ Grossmont College, May 5, 2015 |
|||||||||||||||||||||||||
![]() "Chicanosmosis
and
the Transnational
(Imaginary) Imaginary!": Mextasy
and Transnational Lives/Social
Theory
@ The University of Kentucky | April 24, 2015
|
|||||||||||||||||||||||||
![]() Mextasy @ Richland College, Dallas, Texas February 2015, Wednesday, February 11, 2015 at 4pm, 118 Sabine Hall. More info. |
|||||||||||||||||||||||||
![]() MEXTASY TV Launch/ Birthday fiesta @ MI BARRA, Chula Vista, December 5, 2014 |
|||||||||||||||||||||||||
![]() |
|||||||||||||||||||||||||
|
|||||||||||||||||||||||||
NOVEMBER 2014 @ NEW
AMERICANS MUSEUM |
|||||||||||||||||||||||||
SEPTEMBER 2014 @ SAN YSIDRO
HIGH |
|||||||||||||||||||||||||
OCTOBER
2014
Mextasy @ UTEP
|
|||||||||||||||||||||||||
| Boise
State
University THATCAMP!!! September 13, 2014
|
|||||||||||||||||||||||||
| Texas
Comicon! A recent talk on Los Bros Hernandez, Gus Arriola, Sergio Aragones, y Lalo Alcaraz, Saturday, June 21, 2014, at 5:30pm-- "Gus Arriola, Sergio Aragonés, Gilbert and Jaime Hernandez, and Lalo Alcaraz Walk into a Bar... The Past, Present, and Future of Comics (Viewed Through Delicious, Mextastic Latina/o Telescope)" http://www.texascomicon.com/
|
|||||||||||||||||||||||||
April
2014
|
|||||||||||||||||||||||||
Shakespeare's
450th
Birthday Celebration at the San Diego
Central Library
|
|||||||||||||||||||||||||
| Boise
State
University on
April 11, 2014 with a full Mextasy
pop-up museum exhibition at the Boise
State University Student Union. More details to follow! ![]()
|
|||||||||||||||||||||||||
University
of
Ilinois at Urbana-Champaign, February
27, 2014 with full Mextasy pop-up
museum exhibition at La Casa Cultural
Latina!![]()
|
|||||||||||||||||||||||||
| Adrian
College Mextasy Exhibition August 26 through September 13, 2013
|
|||||||||||||||||||||||||
![]() Grossmont College April 30, 2013 |
|||||||||||||||||||||||||
| FRIDAY April 12, 2013 The Observatory Room Brooklyn
|
|||||||||||||||||||||||||
| THURSDAY April 11, 2013 NYU 20 Cooper Square Manhattan
|
|||||||||||||||||||||||||
| TUESDAY April 9, 2013 SVA/DCRIT Manhattan |
|||||||||||||||||||||||||
| CSUFullerton FRENCH CSUFullerton, French March 19, 2013
|
|||||||||||||||||||||||||
![]() University of Washington, SEATTLE, WA last week of February 2012 |
|||||||||||||||||||||||||
![]() Ohio State University (LASER) September 5, 2012 ![]() MEXTASY! Boulder, Colorado February 23, 2012 |
|||||||||||||||||||||||||
![]() San Ysidro May 2012 |
|||||||||||||||||||||||||
October
14, 2011![]() more info here: "21st Century California Writers Now: Pre- and Post-Apocalyptic Nightmares, Vociferations, and Raptures" |
|||||||||||||||||||||||||
October
20, 2011![]() University of Guelph "Bandit, Succubus, Gigolo, Maid, & Fiend: 20th and 21st Century Latina/o Bodies in the Imagination of the Americas" |
|||||||||||||||||||||||||
October
21, 2011![]() University of Western Ontario "Technosexual Scholars at the Peephole: Surveillance, Voyeurism and the Latina/o Destiny of the Digital Humantites" |
|||||||||||||||||||||||||
September
22, 2011![]() ![]() |
|||||||||||||||||||||||||
September
22, 2011![]() ![]() |
|||||||||||||||||||||||||
September
23, 2011![]() ![]() |
|||||||||||||||||||||||||
| MEXTASY!
Just left the Wolverine-laced hallways of the Program in American Culture at the University of Michigan, Ann Arbor and then hopped over to an opening at the University of Hawai'i at Manoa, April 8, 2011... next up? CSU Fullerton! ![]() |
|||||||||||||||||||||||||
|
|
|||||||||||||||||||||||||
![]() theFRONT, May 20, 2010 |
|||||||||||||||||||||||||
Cal State Fullerton, April 13, 2009 |
|||||||||||||||||||||||||
|
Oh beloved, Texas Longhorns of Austin,
forgive me, but I invaded Ohio State University on
February 23, 2009 for a reading/signing with my UT
Press stable-mate, Guisela Latorre! More
info here.
![]() Ohio State University, February 23. 2009 |
|||||||||||||||||||||||||
2011![]() |
|||||||||||||||||||||||||
April 28, 2008![]() CalState
NorthridgeDIVA CONFERENCE! More
INFO! |
|||||||||||||||||||||||||
May 5, 2008 CINCO DE MAYO![]() ![]() MESA
COLLEGEBEYOND BAROQUE with TOMÁS RILEY!!! More info! |
|||||||||||||||||||||||||
![]() UNIVERSITY OF ARIZONA *click* the logo for a big image of the event! April 16, 2008! ![]() |
|||||||||||||||||||||||||
Skylight Books in Los Feliz en Los Angeles,
Califas!
Reading and signing November 7, 2007 Wednesday-- 7:30pm ![]() more info on the reading! |
|||||||||||||||||||||||||
![]() USC, Los Angeles, CA, reading and signing November 8, 2007, Thursday. |
|||||||||||||||||||||||||
|
Sponsored by the International Bank of Commerce and hosted by Gonzalez, Gonzalez, Castillo, y Garza, Inc. |
|||||||||||||||||||||||||
![]() Sponsored by UTPress, The Center for Mexican American Studies, The Department of English & the Cactus Cafe |
|||||||||||||||||||||||||
| UTSA
| Department of English Reading, lecture and signing | Monday, November 5, 2007, San Antonio, Texas ![]() Click here
for the promo poster! |
|||||||||||||||||||||||||
| CSUN TABOO CONFERENCE KEYNOTE APRIL 28, 2007 ![]() |
|||||||||||||||||||||||||
| USD ENGLISH & ETHNIC STUDIES MAY 1, 2007 ![]() |
|||||||||||||||||||||||||
| BORDERS
BOOKSTORE MISSION VALLEY SIGNING MAY 17, 2007 ![]() |
|||||||||||||||||||||||||
![]() THE VOYEUR'S BAD EYEGIENE: LATINA/O NATIONALITIES AND THE PATHOLOGY OF THE PROSTHESIS NATIONALITY | CITIZENSHIP | IMMIGRATION AN AMERICAN STUDIES LECTURE SERIES PURDUE UNIVERSITY Friday February 16, 2007 |
|||||||||||||||||||||||||
![]() WE DON'T NEED NO STINKIN' BADGES: SCREENING LATINIDAD FILM SERIES OBERLIN COLLEGE March 15, 2007 |
|||||||||||||||||||||||||
| DG
Wills
Bookstore La Jolla, CA Saturday March 24, 2007 |
|||||||||||||||||||||||||
![]() Scripps Cottage Pacific Review Reading from the 1990s! |
|||||||||||||||||||||||||
| BLOGS | |||||||||||||||||||||||||
| ethnic mannequin tex[t]-mex blog ![]() |
|||||||||||||||||||||||||
| obscene machine blog ![]() |
|||||||||||||||||||||||||
| Assorted Past Doings |
|||||||||||||||||||||||||
![]() A screengrab from Orson Welles's Touch of Evil with Charlton Heston as "Mexican" narcotics agent Miguel 'Mike' Vargas--tap Heston in order to be transported to Google's facsimile of a chapter on Welles's masterpiece. English 220 | The Seductive Mirror Seminar: An Introducion to Literature | Summer 1999 huge pdf |
|||||||||||||||||||||||||
| Design SDSU Press Hyperbole Books memogr@phicsdesigncasa |
|||||||||||||||||||||||||
archived
teaching
syllabi,
booklists, and course
descriptions!![]() |
|||||||||||||||||||||||||
Spring
2026
Fall 2025 ![]() Spring 2025 #sinematicbodies25
Fall 2024 #roboticeroticelectric24 ![]() Spring 2024 MALAS 600A/ECL 568 ¡CHICANX COMIX! ![]() |
|||||||||||||||||||||||||
Fall 2023 | #nakedsouls23![]() |
|||||||||||||||||||||||||
| Spring 2023 #papermirrors ![]() |
|||||||||||||||||||||||||
| Fall 2022 #eyegasm22 ![]() |
|||||||||||||||||||||||||
| Spring 2022 New Class | CompLit 584, LATAM 580 & MALAS 600A, #opticalparables ![]() New class! English 157, Fall 2021 #psychedelicimages
Spring 2021 ![]() Fall 2020 English 157, Fall 2020 History and Comics or The Virus Eye/I ![]() ![]() Spring 2020 ![]() English 220, Fall 2019 Naked Sexy Beasts 21st Century Lit/Film/Comix
|
|||||||||||||||||||||||||
| Fall 2018 English 220: Robotic Erotic Electric ![]() Summer 2018, First Summer Session, London Rocks! ![]() |
|||||||||||||||||||||||||
| Second Summer Session,
Summer 2018 Sex Drugs & Rock English 525 ![]() |
|||||||||||||||||||||||||
| English
220 #MIRRORTEXT Fall 2017 ![]() |
|||||||||||||||||||||||||
| English
525: American Literature After 1960 Simulated/ing "Americans" Literary Permutations of Subjectivity in the Televisual Age of Sex and Race Fall 2017 ![]() |
|||||||||||||||||||||||||
| English 301:Naked I/Eyes & Psychedelic Mirrors (January 2017 @ SDSU, SPRING 2017) #psychedelicnovel #psychologicalnovel ![]() |
|||||||||||||||||||||||||
Fall
Quarter 2016 @UCSD![]() Fall 2016 @SDSU Sex Drugs Rock'n'Roll Arts Alive Experiment with SDSU Music Prof, Eric Smigel! ![]() Summer 2016 LONDON ROCKS Study Abroad Program, England ![]() Main London Information Link
|
|||||||||||||||||||||||||
|
Fall 2015
Hallucinating Mirrors Undergraduate ENGL 220 ![]() English 220: I/Eye-gasm: The "Death of the Book," the Digital Humanities, and the Self[ie] in Literature, Film, Art, Photography and the World Wide Web ![]() English 625/MALAS 600B: Simulated/ing Americans
|
|||||||||||||||||||||||||
Summer
2014 Anthropology 439/MALAS 600
seminar in London, England![]() Summer 2014 ANTH 439/COMPLIT 470/ ENGL 493/MALAS 600B LONDON VISUAL/VIRAL CULTURE NOW! ![]() Spring 2013 ENGL 220 ROBOTIC, EROTIC, ELECTRIC ![]() |
|||||||||||||||||||||||||
| Fall
2013 Engl 220 naked mirrors, damaged psyches ![]() summer 2013 ENGL 525 sex, drugs, {film, lit,} and rocknroll ![]() Spring 2013 ENGL 525 I/Eye Pledge Allegiance American Literature Since 1960 ![]() |
|||||||||||||||||||||||||
| Fall 2012 Undergraduate Class: Naked Eye/I | Tuesdays and Thursdays from 11am to 12:15pm in the SCImagination Lab, GMCS 333 Madness in Art, Literature, Film, and the Web ![]() Fall 2012 Graduate Seminar: MALAS 601 SEM:CULTSTD SEX FILM GNDR | Wednesdays 3:30am to 6:10pm in LSN 134 An Introduction to Cultural Studies and Interdisciplinary Studies: Ethnicity, Sexuality, and Gender in Literature, Film, and Beyond ![]() |
|||||||||||||||||||||||||
![]() Summer 2012, London Rocks London, England MALAS/ENGLISH & COMPLIT 2012 Seminar ALT LINK Spring 2012 ![]() |
|||||||||||||||||||||||||
| Fall
2011 Graduate Seminar Fall 2011 | MALAS 600B TECHNOSEXUALITIES ![]() Fall 2011 Undergrad Class Fall 2011 | ENGL 220 EYEGIENE ![]() Spring 2011 Seminar English 220 Robotic, Erotic, Electric ![]() |
|||||||||||||||||||||||||
ENGL
563:
Drugs, Sex, & Rock'nRoll: Seductive
Hallucinations of Film, Photography, Art, Music,
and Literature![]() |
|||||||||||||||||||||||||
| Spring 2010 ENGLISH 549 DYSTOPIA! DYSTOPIA! ![]() |
|||||||||||||||||||||||||
| Spring 2009 ENGLISH 493 SEX IN LIT & FILM ![]() |
|||||||||||||||||||||||||
![]() naked london eyes summer 2009, UK Fall 2008 engl 220 ![]() Spring 2008 | C LT 210 ![]() ![]() naked surrealisms English 301 | Fall 2007 ![]() English 493 Literature and Film The Obscene Machine SPRING 2007 ![]() English 725 | Seminar in Ethnic American Film and Literature: Ethnic Mannequins or the Obcene Machine | Spring 2007 |
|||||||||||||||||||||||||
![]() Summer 2007 London Calling | Anth 439 ![]() English 220 Fall 2006 The Seductive Hallucination ![]() ![]() FILM NOIR TO PULP FICTION ENGL 301 Summer 2006 comparative literature 594 literature and the arts spring 2006 english 301 psychological novel spring 2006 ![]() ENGL 700 CHASING DERRIDA SEMINAR LIGHTS CAMERA WRITING Fall 2005 ![]() COMPLIT 270B NAKED, LOUD & BROKEN COMEDY SINCE 1500 Fall 2005 ANTHROPOLOGY 493 LONDON EYES UK FILM CULTURES SUMMER 2005 e301 | SEXY BEASTS FREUD'S BASTARD CHILDREN SPRING 2005 COMPLIT 210 LITERATURE AFTER DERRIDA SPRING 2005 |
|||||||||||||||||||||||||
![]() e220 Intro to LIT SINEMATIC BODIES Fall 2004 ![]() ![]() |
|||||||||||||||||||||||||
![]() |
|||||||||||||||||||||||||
![]() e301 Tattooed Psyche Psychological Novel summer 2004 2003 Comparative Literature 595 GLAMOUR ![]() ![]() English 220 PSYCHOLOGICAL NOVEL The Naked Eye/ FALL 2003 ![]() complit 594 LIBIDINAL PROGENY DERRIDA, MAGE/WORD SP 2003 |
|||||||||||||||||||||||||
![]() |
|||||||||||||||||||||||||
english 790 ENGLISH MA EXAM PREP G. PITT AND VIRGINIA WARNER LECTURE SERIES SPRING 2003 ![]() E301 SINEMA:EROTIC & EXOTIC PSYCHES IN LITERATURE & FILM FALL 2002 ![]() e220 LIGHTS BODY INK Intro to LIT SPRING 2002 ![]() e301 MARX ON THE COUCH FREUD AT THE BANK SUMMER 2002 COMPLIT 595 LITERATURE & AESTHETICS Sighting Words SPRING 2002 |
|||||||||||||||||||||||||
![]() CompLIT 210 Intro to Comparative Literature: Gender Image Power Text Fall 2002 ![]() COMPLIT 445 MODERN LATIN AM LIT & FILM PORTRAITS MASKS & SIGNATURES FALL 2002 ![]() E301 TATTOOED SOULS SUMMER 2001 |
|||||||||||||||||||||||||
ENGLISH 525 AMERICAN LIT 1950-NOW EROTIC NEUROTIC SEMIOTIC SPRING 2001 COMPLIT 561 FICTION SPRING 2001 ![]() COMPLIT 210 INTRO TO COMP LIT COMPARATIVE LITERATURE 210 Textual, Sexual, Cultural, & Psychoanalytic Playgrounds THE FIELD(S) OF COMPARATIVE LITERATURE FALL 2000 ![]() English 560a Early British Literature Peculiar and Exotic circa 2000 ![]() ![]() ![]() e602 CRITICAL THEORY PRIMARY SECONDARY TERTIARY FALL 2000 ![]() ![]() E577 MARX / FREUD / DICKENS 19TH CENT. TRIALOGUES SPRING 2000 COMP LIT 580 LATINA WRITERS WINTER 2000 |
|||||||||||||||||||||||||
E525 AMERICAN BABEL SPRING 2000 ENGLISH 220 INTRO TO LITERATURE THE FRAMED EYE/I CIRCA 2000 COMPLIT 490 DYSTOPIAS/ UTOPIAS SPRING 1999 ENGLISH 494 MODERN AMERICAN FICTION MILLENNIUM VIRUS CIRCA 1999 ![]() E606A Grad Seminar | Special Topics THE CHICANA/O NOVEL CIRCA 1999 ![]() English 220 PICTUREBOOK An Introduction to Literature circa 1998 ![]() ENGLISH 700: BORGES AND DERRIDA OBSESSIVE COMPULSIVES IN THE LIBRARY CIRCA 1998 BORGES | DERRIDA SEMINAR SDSU ENGLISH CIRCA 1998 E301 NAKED EYE: MADNESS / ART FALL 1997
GGM SEMINAR Spring SEMESTER CIRCA 1997 ![]() English 519 American Ethnic Literature: The Seductive Mannequins CIRCA Spring 1996 |
|||||||||||||||||||||||||
![]() COMPARATIVE LITERATURE 270B DECONSTRUCTED BODIES World Literature CIRCA 1996
E301 Psychological Novel Caged Eye | webmaster A. Barkdoll 1st Web Class November 1995! 25 years on the World Wide Web ![]() BODIES OF INK CUERPOS DE LUZ COMPLIT 270 B CIRCA 1993 /SPRING MALAS 600: Textual Bodies / Sexual Bodies GENDER THEORY CIRCA 1993 MULTICULTURAL LIT SEMINAR ENGLISH 601, SDSU circa 1992 ![]() |
|||||||||||||||||||||||||
More from the BRUSH WITH FAME archive!!!![]() ![]() ![]() |
|||||||||||||||||||||||||
More
from the BRUSH WITH FAME archive!!!![]() ![]() With Diane Keaton at the Donkey Show, Santa Monica ![]() @ Chicano Park with Andrew Zimmern |
|||||||||||||||||||||||||
More
from the BRUSH WITH FAME archive!!!![]()
![]() |
|||||||||||||||||||||||||
HEROES!![]() The future is part of desire, and desire is extremely important. I think it's very important in my novels and it has to do with want, it has to do with yearning, and with the way we strive towards what we merely call the obscure object of desire. This is, of course, never an innocent operation because it implies not only having what we want, but changing it according to our conception of it, changing the other person. The other person might very well resist not only our desire but our wanting to take over and change. And therefore, conflict, and therefore, narrative, novels, drama, and many other things. But I cannot understand the future without the category of desire and all that desire implies. Carlos
Fuentes
I just can't help writing by hand. One types by hand also. It is not that the hand disappears, but if I start typing, or working on the screen, I am dinosaur. I find that it disappears from me. I have a secretary but she certainly does not type the stuff I write. I am from the manual typewriter era. The extraordinary editing capacities of the computer also touch me. That second typing on the screen is a creative moment. It is just not the first moment. Is writing the first moment we do not know. I consume the affect of writing by hand. Another reason is that I do a lot of work in areas where there no electricity at all. Gayatri Chakravorty Spivak1997 ![]() I thought I was trying to evolve an argument that would in some way just knock issues of veracity out of the water, that would make them almost laughable. But I ended up realizing that what I was trying to do was to find a mode of writing sexual fantasy, really, and exploring the way we project [it] onto the materials that we are supposedly studying-- not as something that might actually be happening within them (you know: the question of who fancies whom and of whether they repressed or acted on it and with what consequences), but rather as a way of conceptualizing the material and linking yourself to it....¶"Without," for me, is that funny state where you think you're doing one thing, then realize that you're doing something completely different, which always builds on the familiar quagmire of "knowledge." Irit Rogoff ![]() What's the most widely held misconception about you and your work? That I'm a skeptical nihilist who doesn't believe in anything, who thinks nothing has meaning, and text has no meaning. That's stupid and utterly wrong, and only people who haven't read me say this. It's a misreading of my work that began 35 years ago, and it's difficult to destroy. I never said everything is linguistic and we're enclosed in language. In fact, I say the opposite, and the deconstruction of logocentrism was conceived to dismantle precisely this philosophy for which everything is language. Anyone who reads my work with attention understands that I insist on affirmation and faith, and that I'm full of respect for the texts I read. jacques
derrrida
![]() The madness in which the work of art is engulfed is the space of our work, it is the endless path to fulfillment, it is our mixed vocation of apostle and exegete. Michel
Foucault
Dean
Martin, elvis costello remedios varo will elder |
|||||||||||||||||||||||||
Ink Art dawg india ink Guillermo Nericcio García (2001) clicking on "dawg" links you to "afta's art," india ink, notebook, cornell university, 1985 |
|||||||||||||||||||||||||
Editorial Duties![]() |
|||||||||||||||||||||||||
Revelation the sound and the fury, william faulkner |
|||||||||||||||||||||||||
| Digital
Design the typed subject digital art/mixed digital media guillermo nericcio garcía (1998) |
|||||||||||||||||||||||||
"The Mexicanesque Maus" digital art/mixed digital media guillermo nericcio garcía (1996) |
|||||||||||||||||||||||||
the existential guillotine digitial art/mixed digital media guillermo nericcio garcía (2002) |
|||||||||||||||||||||||||
| Old
Office Door, Adams Humanities, SDSU -- Fall 1991 to Spring 2007 ![]() |
|||||||||||||||||||||||||
| biography, whispered
rumors, and chisme ![]() direct link |
|||||||||||||||||||||||||
derrida
| moving words & images![]() ![]() |
|||||||||||||||||||||||||
| CLIPPINGS |
|||||||||||||||||||||||||
|
lurking visitors